If You Don’t Believe a Story, Don’t Make It; The Problem with Our Cinema is the Screenplay

Hamid Reza Azarang, a prominent Iranian screenwriter and director, recently stated that the fundamental problem plaguing Iranian cinema lies in its screenplays. During a critical assessment of the industry, Azarang emphasized the importance of a filmmaker’s genuine belief in the story they choose to bring to the screen. “If you don’t believe in a story, don’t make it,” he asserted, highlighting how a lack of conviction ultimately results in weak and unconvincing cinematic works.

Azarang elaborated that many current projects suffer from superficial narratives and a failure to deeply engage with their subject matter. This often stems from directors and producers opting for quick, formulaic stories rather than investing in original and meaningful scripts. He urged the film community to prioritize compelling storytelling and robust character development over commercial expediency. The veteran artist believes that the artistic integrity of Iranian cinema can only be restored through a renewed focus on the quality and authenticity of its written foundations.

The Impact on Audiences

He further added that audiences are increasingly discerning and quickly recognize when a film lacks a sincere narrative backbone. This disconnect leads to declining viewership and an erosion of trust in the local film industry. Azarang called for greater support for screenwriters and script development programs, emphasizing that a strong script is the undisputed bedrock of any successful film. Without addressing this fundamental issue, he warned, Iranian cinema risks falling further behind global standards and losing its unique voice.